In Act two, he arrived on the scene like a man on a mission, his head on a swivel, his body frantic as it searched for his missing Gilda. David Frost is music producer and Peter Gelb is executive producer. Gothic horror, magic and romance at the 2023 Savonlinna Opera Festival, At the helm of the world's most expensive opera house: Met General Manager Peter Gelb, From our French editor: ode to the diehards, Guilty pleasures: Yoncheva and Beczaa star in a new. He is a resident director of Lincoln Center Theater, where his productions have included My Fair Lady, Oslo, The King and I, and Women on the Verge of a Nervous Breakdown. But Pari siamo also allows us to see the purity and hope inside of Rigolettos heart, the possibility of him separating himself from the pack of predators. Jen has worked at KPBS since 2000. Later performances feature four additional stars, with baritones Luca Salsi and Michael Chioldi, soprano Lisette Oropesa, and tenor Stephen Costello taking over as Rigoletto, Gilda, and the Duke. GREAT PERFORMANCES AT THE MET "Rigoletto" premieres Friday, June 17 on PBS as part of #PBSForTheArts. That didnt last long as he took on a harder and more aggressive edge with S vendetta, exploding with a sound at the climax of this passage. A new cast brings the Met's Rigolettoto life Kevin W Ng, 11th November Three major Metropolitan Opera debuts bring excitement and vocal glamour to this revival of Bartlett Sher's Rigolettoproduction. Last season, he sang the Grand Inquisitor in the Met premiere of the five-act French version of Verdi's Don Carlos and the Ghost of King Hamlet / First Player / Gravedigger in the company premiere of Brett Dean's Hamlet. He responded to Cepranos Chhai di nuovo, buffon? with a perfect, angry imitation, placing a very strong accent on buffon and then adding a sarcastic quality to pi noioso voi siete. The ensuing La r grew more connected, adding a sense of desperation and yearning, each subsequent one sounding more like a man in pain. Elegant is probably an apt word for his performance on the whole, especially for this opera where the Duke is called on to sing one glorious, soaring bel canto melody after another. He made his Met debut in 1993 with Elijah Moshinskys production of Ariadne auf Naxos, which also returns this season. This choice also fit in nicely with the coloratura, generating a fluidity throughout. Italian soprano Rosa Feola returns to the Met this season as Gilda, the role of her 2019 company debut. Ascolta Patrice Munsel senza limiti su Qobuz e acquista gli album in Hi-Res 24-bit per una qualit sonora senza pari. The Met: Live in HD - Rigoletto 2022 2,164 views Jan 14, 2022 16 Dislike Share Save Trafalgar Releasing 12.8K subscribers Tony Award-winning director Bartlett Shercreates a bold new take on. After the passion of that top note, the tenor pulled back to his most gentle piano of the passage before crescendoing once more into a final impassioned forte on the final G flat. Kelsey is impressive in the title role, his hulking, muscular baritone dominating the stage. In the final scene of the opera, he stood erect and resolute as he prepared to take the Dukes body, his voice growing and growing as he proclaimed Quest un buffone, ed un potente questo! The production starred baritone Quinn Kelsey in the titular role with Rosa Feola. Far more traditional in tone than Michael Mayer's groovy 2013 Las Vegas Rat Pack Rigoletto, this staging . Kevin is a violinist and violist, and regularly performs as a soloist, chamber musician, and as an orchestral player. Feola was in equally fine voice, her warm lyric soprano on the cusp on womanhood. And while that is true, the turntable also becomes a distraction here at some key dramatic moments. But these emphatic tempi shifts stood out as unrefined for a number of reasons. Her body was full of fear and confusion as she ran about the turning table, women racing after her to undress her. 2022-12-22 ANNOUNCEMENT Ekaterina Sannikova signs with TACT for General Management Check out the latest photos and bios of the cast and filmmakers of The. Personally, the climax of his aria, an interpolated high B flat in the middle of an aria thats always on the move, is really hard to pull off smoothly. The company noted that Erin Morley will sing the role of Gilda on May 28 through June 11 replacing the originally announced Kristina Mkhitaryan, who has withdrawn from the production. Mezzo-soprano Isabel Leonard hosts. Kevin Puts'. At the close of the duet, his piano singing blended with Feolas almost as one with the cadenza, as noted, spot on through the several runs. Audio from the December 31, 2021, as well as the January 4, 19, and June 8, 2022, performances will be streamed live on the Mets website, metopera.org. Jen is a web producer at KPBS, responsible for program promotion, online membership-related activities, and is the editor of the KPBS community calendar. Rigoletto is in three acts to an Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. Later this season, he sings Lenski in Eugene Onegin at the Met. He does manage some darker tableaus to fit with the general mood of Rigoletto, but he also relies heavily on the now cliched turntable that so many directors have aped repeatedly on the Met stage. The Met rings in the new year with the gala premiere of a bold new take on Verdi's timeless tragedy from Bartlett Sher. Croatian bass Ante Jerkunica makes his Met debut as Sparafucile this season. His 2014 interview with opera star Kristine Opolais was cited in a New York Times Review. Arizona Opera officially announced its 2023/24 Season, featuring four opera productions including a World Premiere in Phoenix and Tucson, as well as the companys inauguralNew Works Festivalin Phoenix, and a new series of community concerts in Tucson. Metropolitan Opera House, . The character-driven chamber opera, a collaboration between acclaimed American composer Heggie and librettist Gene Scheer, based on a script by Terrence McNally, will be directed by Gary Briggle and presented at the Jungle Theater. Anthony Tommasini is the chief classical music critic. This was a performance to remember from Kelsey, who drew you in with a truly immersive and powerful characterization. Skylark Opera Theatre returns to stage this Spring with the regional premiere of Jake Heggie's Three Decembers. It provided a seamless transition into the Piangi, with Kelsey crescendoing from the C natural into the ensuing D flat. 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States l. . Other performances are November 14, 17, 20mat, 26mat, 29, and December 3, 8, 11mat, 14, 17mat, 20, 23, and 29. Russian mezzo-soprano Yulia Matochkina makes her Met debut as Maddalena. If her high E flat at the end of act two was a touch effortful, she more than made up for it with some ravishingly soft singing in the final scene. He has been nominated for 13 Tony Awardswinning in 2008 for South Pacific and 1998 for The Lion Kingin a career featuring more than 50 productions on Broadway. Then there were tempo shifts that seemed to come out of nowhere, breaking the flow of the momentum and jerking you out of the action; moreover, they often felt out of control and unstable, rushing forward initially and then calming down. For more information, visit metopera.org. During the trio, he erupted with the firepower that hed displayed in Don Carlo, his voice booming over the orchestral torrent, his phrasing precise and pointed. Rigoletto Worldwide Broadcasts in Cinema, Radio, and Online. The 2009 recipient of the Met's Beverly Sills Artist Award, he made his company debut in 2000 as Alidoro in Rossini's La Cenerentola, followed by performances as Masetto in Mozart's Don Giovanni, Colline in Puccini's La Bohme, the Nightwatchman in Wagner's Die Meistersinger von Nrnberg, Vodnk in Dvok's Rusalka, Figaro in Mozart's Le Nozze di Figaro, Escamillo in Bizet's Carmen, and Gesler in Rossini's Guillaume Tell. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Other aspects work better, including the dark alley scene between Rigoletto and Sparafucile, which also makes an argument for the less is more principle. But when he commenced Deh, non parlare al misero, his voice took on a honeyed hue full of yearning. In their Met debuts, Yulia Matochkina sings Maddalena, and Ante Jerkunica sings Sparafucile. The Metropolitan Opera: Rigoletto (2022) movie cast and actor biographies. She readily negotiates the coloratura of the first act, culminating in a delectable Caro nome, but it's in the latter acts that she truly shines. When Giovanna opened the door for her, she rushed out with tremendous excitement and you could feel the relief as she stepped outside into freedom, her arms spread wide to receive it; it was a truly visceral moment to behold. But her experience as an operatic conductor was in full evidence, shading the orchestra and stretching the tempo like a true master. (Who struck you? The customary dark leather jacket that is a staple of the Sher operatic universe is here (its really something that the Duke of Mantua, Romeo, Count Almaviva, and Otello, all get to wear the same-looking coat at some point in their respective operas; perhaps theres some thematic connection there?) The ensuing stanza was sung with a similar gentleness, but you could feel that she was taking a bit more time with it, thus amplifying the intensity so that the second climax to the high A, despite a similar dynamic phrasing, had a punchier, emotional impact and set up the increased agitation of what follows. Ei sta sotto ai miei piedi! The ensuing cabaletta Possente amor mi chiama presented the tenor with an opportunity to expand on the brightness and lush sound of his opening Questa o quella, and he fully delivered on that, projecting powerfully into the auditorium. Directed for the screen by Gary Halvorson. That Kelsey matched her phrasing only added to the impact of this glorious moment. Premieres Friday, June 17, 2022 at 9 p.m. on KPBS 2 / On demand with PBS Video App. Even when they struggled with the tempo at the start of Addio addio, they barely missed a step, finding one another and surging forward. A loud, unsubtle performance of a loud, unsubtle production the Met really deserves a new Aida. 2022 Metropolitan Opera Wiener Staatsoper; 2021 Royal . Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. His most-recent work on Broadway includes Tootsie, Kiss Me Kate, and My Fair Lady. Whats left to say, but that vocally this was some of the finest casts that the Met has assembled for a production this season. desso! Visit Website. His entire duet with Rigoletto in Act one was fascinating, the bass digging into his thick and earthy tone with each phrase. 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